| Attribute | Value |
|---|---|
| Combat | ATK 60 DEF 70 SPR 88 SPD 90 INT 85 |
| Rank | Son of the Dagda and Boann / God of Youth, Love, and Poetic Inspiration |
| Domain | Love, beauty, youth, dreams, poetry, the music of birds |
| Alignment | Celtic Sacred |
| Weakness | Lovesick to the point of physical illness; vulnerable to dream-magic |
| Counter | The same dream-magic he uses against others |
| Key Act | Tricked his father the Dagda out of Newgrange (Bru na Boinne) by asking to stay there "for a day and a night," then claiming all days and nights are infinite; spent years searching for the swan-maiden Caer Ibormeith, the woman who appeared in his dreams |
| Source | *Aislinge Oenguso* (The Dream of Aengus); *Tochmarc Etaine* (The Wooing of Etain); *Dindshenchas* of Newgrange |
Lore: Aengus is the Irish god of romantic love — conceived in scandal (his father the Dagda slept with Boann, wife of the river-god Elcmar, and stopped the sun for nine months so Boann could give birth in a single day, hiding the affair). Aengus’s defining myth is Aislinge Oenguso: he dreams nightly of a beautiful woman, falls so ill from love he can barely move, and finally his mother and father search Ireland for her. They find her at Loch Bel Dracon — Caer Ibormeith, who lives one year as a woman and one year as a swan. Aengus chooses to become a swan beside her, and they fly together circling the lake three times, their song lulling Ireland into three days of magical sleep. He keeps four birds that fly around his head representing kisses. He stole Newgrange (the great megalithic tomb at Bru na Boinne) from his father by linguistic trickery — a comic moment in a tradition usually grimmer than this.
Parallel: Eros/Cupid (Greco-Roman god of love whose arrows induce lovesickness); Krishna in his role as divine lover playing the flute for the gopis; the Song of Songs’s lovers searching for one another (Song 3:1-4); the swan-maiden motif which appears across Indo-European mythology (Norse Valkyries, Slavic Vila, Hindu Apsaras).
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