Hitchhiker's Guide to Religion
Celtic

Aengus Og

The God of Love and Youth

Celtic Love, beauty, youth, dreams, poetry, the music of birds Pre-Christian Irish mythology; primarily preserved in texts c. 900–1200 CE Ireland; his primary domain is the Boyne Valley (Brú na Bóinne); celebrated in Connacht and Ulster traditions
Portrait of Aengus Og
Portrait of Aengus Og
Rank Son of the Dagda and Boann / God of Youth, Love, and Poetic Inspiration
Domain Love, beauty, youth, dreams, poetry, the music of birds
Period Pre-Christian Irish mythology; primarily preserved in texts c. 900–1200 CE
Alignment Celtic Sacred
Power LEGENDARY 84

Attributes

ATK
60
DEF
70
SPR
88
SPD
90
INT
85
CHA
89
WIS
96
END
90

Combat Profile

ATK DEF SPR SPD INT CHA WIS END
Special Move

Aisling's Rapture

Enchants all beings in range with irresistible love and poetic inspiration, compelling them to cease hostilities and create beauty instead of war

Passive

Eternal Youth

Aengus Og radiates perpetual beauty and vitality, granting all allies in his presence enhanced charm and immunity to aging or decay

Weakness

Lovesick to the point of physical illness; vulnerable to dream-magic

Lore: Aengus is the Irish god of romantic love — conceived in scandal (his father the Dagda slept with Boann, wife of the river-god Elcmar, and stopped the sun for nine months so Boann could give birth in a single day, hiding the affair). Aengus’s defining myth is Aislinge Oenguso: he dreams nightly of a beautiful woman, falls so ill from love he can barely move, and finally his mother and father search Ireland for her. They find her at Loch Bel Dracon — Caer Ibormeith, who lives one year as a woman and one year as a swan. Aengus chooses to become a swan beside her, and they fly together circling the lake three times, their song lulling Ireland into three days of magical sleep. He keeps four birds that fly around his head representing kisses. He stole Newgrange (the great megalithic tomb at Bru na Boinne) from his father by linguistic trickery — a comic moment in a tradition usually grimmer than this.

Parallel: Eros/Cupid (Greco-Roman god of love whose arrows induce lovesickness); Krishna in his role as divine lover playing the flute for the gopis; the Song of Songs’s lovers searching for one another (Song 3:1-4); the swan-maiden motif which appears across Indo-European mythology (Norse Valkyries, Slavic Vila, Hindu Apsaras).


1 min read
Nemesis / Counter

The same dream-magic he uses against others

Primary Source

*Aislinge Oenguso* (The Dream of Aengus); *Tochmarc Etaine* (The Wooing of Etain); *Dindshenchas* of Newgrange

← Back to Celtic